Bold statement: Critics are weighing in on Tartuffe, and their takes range from dazzled to thoughtfully skeptical about this star-studded Off-Broadway revival. And this is where it gets controversial: does a high-profile cast automatically translate to a sharper or more memorable production, or can prestige substitutions mask the risks of adapting a classic with a new script?
A refreshed version of Tartuffe, now at New York Theatre Workshop, opened on December 16 with a renowned lineup. The revival features Matthew Broderick in the titular role, joined by a strong ensemble that includes David Cross as Orgon, Emily Davis as Mariane, Bianca Del Rio as Mme Pernelle, Amber Gray as Elmire, Ryan J. Haddad as Damis, Francis Jue as Cleante, Lisa Kron as Dorine, and Ikechukwu Ufomadu as Valère. The creative team is equally notable, with Obie-winning director Sarah Benson at the helm and Lucas Hnath, famed for A Doll’s House, Part 2, providing a new adaptation of Molière’s classic.
The production’s run was initially anticipated as limited but has already been extended through January 24, 2026, reflecting strong audience reception and critical interest. In addition to Broderick’s performance, you’ll find a vibrant mix of talents behind the scenes: Raja Feather Kelly choreographs, Heather Christian contributes the score, and the design team—scenic by dots (Oh, Mary!), Enver Chakartash on costumes, Stacey Derosier on lighting, and Peter Mills Weiss on sound—crafts the world of Tartuffe for today’s theatergoers. Kasson Marroquin serves as production stage manager.
What critics are saying may appear in reviews that require a subscription, but the conversation around this Tartuffe is clearly energized by the blend of familiar material with contemporary reinterpretation. Playbill notes that reviews are rolling in as the press continues to weigh in, and the site will keep updating as new opinions emerge.
If you’re curious about the broader context or want a peek at the creative minds involved, consider visiting NYTW.org for the latest on performances, tickets, and behind-the-scenes insights.
Would you like a quick rundown of how Lucas Hnath’s adaptation differs from traditional Tartuffe, or a spoiler-free summary of the critics’ common praise and criticisms to help you decide whether to see it?
